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Find Sunday comic favorites in this classic Calvin and Hobbes collection.
This is a collection of the classic comic strip that features Calvin, a rambunctious 6-year-old boy, and his stuffed tiger, Hobbes, who comes charmingly to life. Filled with a Watterson’s full-page Sunday strips, this collection is sure to please fans and newcomers alike.
The first book collection of the classic and beloved Calvin and Hobbes comic strip!
"Most people who write comic dialogue for minors demonstrate surprisingly little feel for—or faith in—the original source material, that is, childhood, in all its unfettered and winsome glory. It is in this respect that Bill Watterson has proved as unusual as his feckless creations, Calvin and Hobbes. Watterson is the reporter who's gotten it right; childhood as it actually is."—Garry Trudeau, from the ForewordThis is the first collection of the classic comic strip that features Calvin, a rambunctious 6-year-old boy, and his stuffed tiger, Hobbes, who comes charmingly to life. Filled with a mix of Watterson’s standard and full-page Sunday strips, this collection is sure to please fans and newcomers alike.
Celebrating an exhibit of ten years of Sunday comics featuring the beloved boy and his tiger, Calvin and Hobbes: Sunday Pages 1985-1995 is sure to bring back memories.
New York Times best-seller!
Everyone misses Calvin and Hobbes.
It reinvented the newspaper comic strip at a time when many had all but buried the funnies as a vehicle for fresh, creative work. Then Bill Watterson came along and reminded a new generation of what older readers and comic strip aficionados knew: A well-written and beautifully drawn strip is an intricate, powerful form of communication. And with Calvin and Hobbes, we had fun—just like readers of Krazy Kat and Pogo did. Opening the newspaper each day was an adventure. The heights of Watterson's creative imagination took us places we had never been. We miss that.
This book was published in conjunction with the first exhibition of original Calvin and Hobbes Sunday pages at The Ohio State University Cartoon Research Library. Although the work was created for reproduction, not for gallery display, was a pleasure to see the cartoonist's carefully placed lines and exquisite brush strokes. In an attempt to share this experience with those who were unable to visit the exhibition, all of the original Sunday pages displayed are reproduced in color in this book so that every detail, such as sketch lines, corrections, and registration marks, are visible. On the opposite page the same comic strip is printed in full color. Because Watterson was unusually intentional and creative in his use of color, this juxtaposition provides Calvin and Hobbes readers the opportunity to consider the impact of color on its narrative and content.
When I first contacted Bill Watterson about the possibility of exhibiting his original work, I used the term "retrospective." He replied that we might be able to do an exhibit, but that calling it a retrospective made him uncomfortable. He felt that a longer time was needed to put Calvin and Hobbes in the historical perspective implied by that term. Nonetheless, this show is a "look back" at the comic strip as we revisit favorites that we remember. Calvin and Hobbes: Sunday Pages 1985-1995 is particularly interesting because each work that is included was selected by Bill Watterson. His comments about the thirty-six Sunday pages he chose are part of this volume. In addition, he reflects on Calvin and Hobbes from the perspective of six years, and his essay provides insights into his life as a syndicated cartoonist.
Reprint books of Calvin and Hobbes are nice to have, but the opportunity to see the original work and read Bill Watterson's thoughts about it is a privilege. He generously shared not only the art, but also his time and his thoughts. When I first reviewed the works included in the exhibit, I knew that everyone who visited it would begin with laughter and end with tears.
On behalf of all who enjoyed Calvin and Hobbes, thank you, Bill Watterson.
--Lucy Shelton Caswell, Professor and Curator The Ohio State University Cartoon Research Library, June 2001
[Trudeau ranks as] one of the foremost sociopolitical satirists of recent decades."
While some in the Doonesbury universe seek office, others serve. Alex and her Seattle co-hordes devote their young, restless, and body-pierced Deaniac energy to hooking up "flash art" with politics. Half a world away in Iraq, a major bad boy from stateside devotes himself to liberating the city of Al Amok, ruling with a steady hand, a full glass, a devoted Chinese handler, and an economy based on looting. As fate would have it, B.D. finds himself heading upriver on an apocalyptic mission to terminate Al Duke with extreme prejudice, a story line so made-for-TV that B.D. feels compelled to bang out the screenplay on his laptop in real time. Fortunately for the man known to Honey as "sir," the media red-lights the hit, though car bombers quickly pick up the option and put the project back in play.
In the homeland, a wartime president has the answer to almost all the questions ("9-11") but tries to shelve the still incomplete story of his own National Guard duty back in the daze. Mark and Zonk join the war against trash politics by offering a $10,000 reward for any witness who can collaborate the flightsuit-in-chief's account, but their efforts, alas, come to naught. Yes, it's a divided nation. On the west coast sexual assault charges accompany a rise to power, while back east they mandate a fall: Walden College's acting coach, Boopstein, lets accusations of way-personal fouls force her football team off the field. Sex parties for recruits? "Who knew we were that competitive?" marvels President King, ending Boopsie's gridiron apprenticeship with two little words: "You're fired."
Patrick McDonnell possesses an elegance of line and narrative that both transcends and defines his medium. His artistry is in his Zen-like clarity, his simple direct address, and his unique understanding of the essential animal-human continuum. When one experiences MUTTS, one experiences genius." -Alice Sebold, author of The Lovely Bones
"Dog-Eared"is exactly what this latest collection from cartoonist Patrick McDonnell is destined to become. The brilliant assortment of simple-yet-complex strips will have readers turning its pages again and again, eager to revisit the charm, truth, and humor found within.
McDonnell's strip, highlights the adventures of Earl the dog and Mooch the cat, best buddies who regularly come in contact with Shtinky Puddin', Sourpuss, Guard Dog, and Crabby-as well as an assortment of whimsically rendered humans. This cast is capable of endless antics, interspersed with poignant views on both the animal and human condition. And whether they're raiding garbage cans or basking in full-frontal belly rubs, Mooch and Earl always have a comment to clinch the scene.
MUTTS is the kind of strip that comic readers find irresistible. "Dog-Eared" is the same kind of collection. One strip leads to another, and before you know it you've turned page after dog-eared page to satisfy a growing MUTTS addiction.
The Fab Four of the funny pages come together again-this time in their first book treasury.
Rat, Pig, Zebra, and Goat, the central characters of Pearls Before Swine, are back in Sgt. Piggy's Lonely Hearts Club Comic, the first Pearls Before Swine treasury-supersized for your enjoyment.
But this is no ordinary cartoon treasury. Like the influential Beatles album that inspired the book's title, Sgt. Piggy is full of surprises. In addition to collecting all of the Pearls cartoons that appeared in BLTs Taste So Darn Good and This Little Piggy Stayed Home, cartoonist Stephan Pastis takes readers on a VIP backstage tour of one of the most successful comic strips in newspapers today.
In Sgt. Piggy, Pastis explains the genesis of Pearls (hint: it didn't begin at an artist's easel), why he was initially reluctant to show it to newspaper syndicates (and the surprising reason he changed his mind), the unexpected responses from readers to his work, and which Pearls strips worked and which ones didn't (and how he would have corrected the ones that didn't). The result is a rare and revealing glimpse into the world of Rat, Pig, Goat and Zebra. Full of humor and insight, sardonic asides and unexpected truths, Sgt. Piggy's Lonely Hearts Club Comic is a book that comics fans everywhere can enjoy anytime-even when they're 64!
Syndicated by United Feature Syndicate, Get Fuzzy appears in 250 newspapers, from the Los Angeles Times to the Detroit Free Press to the Philadelphia Enquirer. Darby Conley's first book, This Dog Is Not a Toy, sold more than 115,000 copies; his second book, Fuzzy Logic, more than 85,000.When he was a child, Darby Conley used to wonder what his beloved pooch was thinking. That curiosity led to his creation of the hilarious strip Get Fuzzy in 1999, which has rapidly become one of the most popular cartoons in newspaper syndication. Showcasing the relationship between Bucky, a temperamental cat with an attitude; the sweet and sensitive dog Satchel; and their mild-mannered human companion, Rob Wilco, Get Fuzzy has cornered the market on anthropomorphic antics.
Anyone who finds animals both amazing and amusing will find this new Get Fuzzy collection one of the most bitingly funny books ever printed.
This strip offers a fresh outlook and appeals to everyone . . . LIO is a comic strip that's edgy, funny, visually stunning, and truly different." --Daily Cartoonist
With a feature film in the works from producer David Kirschner (Child's Play, An American Tail), LIO deftly melds the macabre with its brand of dark humor.
Having been distinguished by Variety as "a fast riser," Mark Tatulli's morbidly mirthful pantomime comic strip, LIO, is humorously astute and just slightly askew in its perception of the world.
Centered around an odd, ghostly-pale child named LIO, and his creepy coterie of friends, including a giant squid named Ishmael and a scythe-carrying grim reaper, LIO; is influenced by cartooning greats Gahan Wilson, Charles Addams, and 19th-century satirist A. J. Volck.
Happy Birthday to the New York Times Best Seller, Big Nate! Celebrate twenty-five years of the Big Nate cartoon strip with this jam-packed compendium of everything you've ever wanted to know about the character and Lincoln Peirce, the creator behind him. If there's one word that Big Nate would use to describe himself, it would be E-P-I-C! And so is this slipcased, jam-packed book full of cartoons and memorabilia celebrating 25 years of Lincoln Peirce’s long-running comic strip: Epic Big Nate. Hundreds of cartoons, selected by Peirce and presented with his witty and informative commentary, trace the evolution of the Big Nate comic strip and its colorful cast of characters. Also included is an exclusive Q&A featuring Peirce and Diary of a Wimpy Kid author Jeff Kinney, detailing the friendship and mutual admiration that contributed to each cartoonist’s success. Featuring highlights from 1991 to 2015, Epic Big Nate is a must-have for Big Nate fans of all ages!
2017 Eisner Award Nominee—Best Humor PublicationNo one does comics like Jim Benton. His creativity and artistry have led to the monster success of It's Happy Bunny and Dear Dumb Diary, and his standalone strips have topped Reddit's comics section for years.Jim Benton's first cartoon collection was nominated for an Eisner. This new volume collects more of Jim's most popular strips from Reddit, shining a light on talking animals, relationships, fart jokes, and death. From whimsical to cutting, from gross to poignant, Benton's grasp of the form is on full and hilarious display.
Co-creator of the wildly popular Exploding Kittens card game and #1 New York Times best-selling author of How to Tell If Your Cat Is Plotting to Kill You, The Oatmeal, aka Matthew Inman, presents an adult coloring adventure book filled with mantis shrimp, angler fish, bear-o-dactyls, space cats, and other fantastical creatures from the wonderland of The Oatmeal. Create your own Oatmeal masterpieces in 404 Not Found.In cozy Robot City, all robots are tucked in and accounted for, but #404 is missing. Is he searching for the city of Atlantis...or was he attacked by the shrimp known as mantis? Did he leave this worldly place...and find an evil race of cats from space? A fun, kid-friendly, safe-for-work coloring book, 404 Not Found is a magical story poem adventure to color and enjoy. A robot dot-to-dot and hidden objects throughout round out the fun! Relax and let your mind float as you color your way through enchanted lands with wondrous creatures from the brilliant mind of The Oatmeal.
The Los Angeles Times calls Zits "one of the freshest and most imaginative comic strips." The world of sixteen-year-old Jeremy Duncan revolves around his insatiable "growing boy" appetite, lip-locking with squeeze Sarah, keeping his jerry-rigged vehicle roadworthy, and playing with his band, Goat Cheese Pizza. Somewhere in the background, he's vaguely aware of some muted voices, constantly beseeching him to pick up his Matterhorn-sized clothes pile, to be home on time (so lame!), and to (God forbid!) communicate with them. The disembodied voices are those of Connie and Walt, his mostly patient, but sometimes frustrated to exploding, parents. In Zits, they portray a hilarious view of coping with a teenager and with being a teenager. Created in 1997 by Pulitzer Prize-winning editorial cartoonist Jim Borgman and Reuben Award-winning cartoonist/writer Jerry Scott, Zits appears in more than 1,600 newspapers worldwide in 45 countries and is translated into 15 different languages. The comic has an estimated daily readership of more than 200 million readers.