Doonesbury for 5/31/20. The standard 4-frame comic strip is enlarged to approximately 4 x 12 inches.  Sizes vary in accordance with the size of the comic itself, but all are printed, centered, on acid-free, archival 11 x 17-inch paper.

Doonesbury for 11/06/16. The standard 4-frame comic strip is enlarged to approximately 4 x 12 inches.  Sizes vary in accordance with the size of the comic itself, but all are printed, centered, on acid-free, archival 11 x 17-inch paper.

Doonesbury for 12/18/16. The standard 4-frame comic strip is enlarged to approximately 4 x 12 inches.  Sizes vary in accordance with the size of the comic itself, but all are printed, centered, on acid-free, archival 11 x 17-inch paper.

Doonesbury for 1/29/17. The standard 4-frame comic strip is enlarged to approximately 4 x 12 inches.  Sizes vary in accordance with the size of the comic itself, but all are printed, centered, on acid-free, archival 11 x 17-inch paper.

"Insightful and venomously cynical political cartoons . . . Rall straddles stereotypes, avoids party lines like live wires. . . . A true freethinker." --Las Vegas Mercury

There simply isn't a more polarizing, more controversial, or more widely read political and social cartoonist than Ted Rall.

Matt Groening: "Ted Rall makes me laugh out loud." 

Rush Limbaugh: "What is sad is that such an ignoramus ends up as a prominent cartoonist in major newspapers."

Janet Clayton, L.A. Times editorial page editor: "He's wonderfully incisive. He has a way of looking at the world that is rarely articulated in editorial cartoons."

Bernard Goldberg, author of 100 People Who Are Screwing Up America: "There is loathsome and there is beneath loathsome. And then there's Ted Rall."

Love him or hate him, Rall has a unique drawing style and makes caustic social commentary that sets him apart from the pack. America Gone Wild features Rall's most controversial cartoons assembled for the first time in a single collection. Rall views his strips as a vehicle for driving social change. He applies his outrageous sense of humor to volatile topics from 9/11 and the Iraq war to social issues such as unemployment, the environment, and religion. This collection comprises his edgiest material and features lengthy behind-the-scenes commentary from Rall.

It's been said politics makes for strange bedfellows. In this case, those fellows just happen to be furry. In Dog vs. Cat: A Nation Divided, cartoonist Don Asmussen creates a fun and fluffy mix of politics and pets that's outside the box. The litter box, that is.

It has become ever apparent in recent years that divisiveness is poisoning our national debate. Discussion and compromise have been replaced by name-calling, bullying, and veiled hate speech. Never in our history has our country been so fractured between these two groups . . . dog lovers and cat lovers.

Using metaphors from the political scene of both yesterday and today, Dog vs. Cat humorously parodies government silliness and squabbles through the eyes of a cartoon canine and kitty. Humorist Don Asmussen takes us behind the scenes for an investigative look at the controversial Spot vs. Mittens election-one that nearly scratched and clawed our country apart. The media gets accused of cat bias in its coverage of Mittens's affair with JenniPURR Flowers. Meanwhile, Spot's dog license is called into question at the Cat National Convention.

Perfect for the pet owner who keeps an eye on the political arena, Dog vs. Cat scoops the stories-and then the yard-of all the funny, quirky things that cat lovers, dog lovers, and elected humans can do, all in the name of creating a pet-ter tomorrow.

Doonesbury for 10/25/2015. The standard 4-frame comic strip is enlarged to approximately 4 x 12 inches.  Sizes vary in accordance with the size of the comic itself, but all are printed, centered, on acid-free, archival 11 x 17-inch paper.

Doonesbury for 06/07/2015. The standard 4-frame comic strip is enlarged to approximately 4 x 12 inches.  Sizes vary in accordance with the size of the comic itself, but all are printed, centered, on acid-free, archival 11 x 17-inch paper.

Doonesbury for 03/29/2015. The standard 4-frame comic strip is enlarged to approximately 4 x 12 inches.  Sizes vary in accordance with the size of the comic itself, but all are printed, centered, on acid-free, archival 11 x 17-inch paper.

Doonesbury for 7/24/16. The standard 4-frame comic strip is enlarged to approximately 4 x 12 inches.  Sizes vary in accordance with the size of the comic itself, but all are printed, centered, on acid-free, archival 11 x 17-inch paper.

Doonesbury for 11/08/15. The standard 4-frame comic strip is enlarged to approximately 4 x 12 inches.  Sizes vary in accordance with the size of the comic itself, but all are printed, centered, on acid-free, archival 11 x 17-inch paper.

Doonesbury for 6/14/15. The standard 4-frame comic strip is enlarged to approximately 4 x 12 inches.  Sizes vary in accordance with the size of the comic itself, but all are printed, centered, on acid-free, archival 11 x 17-inch paper.