"The cartoon hero of the workplace" --San Francisco Examiner Dilbert is the cubicle-bound star of the most photocopied, pinned-up, downloaded, faxed, and e-mailed comic strip in the world.As fresh a look at the inanity of office life as it brought to the comics pages when it first appeared in 1989, this new Dilbert collection comically confirms to the working public that we all really know what's going on. Our devices might be more sophisticated, our software and apps might be more plentiful, but when it gets down to interactions between the worker bees and the clueless in-controls, discontent and sarcasm rule, as only Dilbert can proclaim.

Dilbert is the cartoon world's Office Space: a cubicle-eye-view of the real workplace!

When confronted by unjust systems of corporate domination, whenever and wherever they may be, Dilbert boldly . . . gets “re-accommodated.”

The legendary gang of coworkers is back for more unprofessional development, jargon freestyle, and elaborate work-avoidance schemes. Management fudges the line between stupidity and illegality. Promising new coffee warmer/phone charger technologies abound. And the circle of blame goes ever onward.

In this fresh collection, Dilbert lampoons cubicle culture with strips that are sometimes recognizable, sometimes absurd—but always hilarious.

When Dilbert first appeared in newspapers across the country in 1989, office workers looked around suspiciously. Was its creator, Scott Adams, a pen name for someone who worked amongst them? After all, the humor was just too eerily funny and familiar. Since then, Dilbert has become more than a cartoon character. He's become an office icon. In Another Day in Cubicle Paradise Dilbert and his cohorts, Dogbert, Catbert, Ratbert, and the pointy-haired boss, once again entertain with their cubicle humor. From bizarre personnel decisions to meetings gone bad, from schizoid secretaries to consultants from hell, Another Day in Cubicle Paradise provides a way to get all those darn comic strips off the breakroom bulletin board. 

Cubicle-dwelling business people the world over have been knowingly nodding, faithfully push-pinning their favorite strips to their cube walls, and--most of all--belly laughing out loud ever since Dilbert first arrived on the scene. In this collection, Excuse Me While I Wag, Dilbert and his look-alike dog, Dogbert, once again provide comic relief to anyone who has ever had to inhabit a cubicle, endure an "initiative of the week," or simply work in an office that has, on occasion, caused them to pull out large clumps of their hair. Scott Adams' dead-on humor in Excuse Me While I Wag is sure to satisfy the hordes of fans worldwide who avidly follow the misadventures of Dilbert, Dogbert, Catbert, Ratbert, the pointy-haired boss, and the rest of the cast of characters in Dilbert's world--a world that's eerily like the one we work in daily.

The number one calendar in the world, with sales of 400,000 every year. Pointless projects, endless meetings, and random downsizing make up the Dilbert world.

Following his 20th anniversary hit, Dilbert 2.0, Scott Adams returns with another Dilbert collection of funny page favorites inside I'm Tempted to Stop Acting Randomly.

Inside this collection, Dilbert and his team "flail around in futility" while the corporate bosses "forget what it's like to be one of the little people." From CEO Dogbert's speculative use of the company jet for personal vacationing to the flawed planning of a new electrically compromised data center, Dilbert exemplifies the randomness and annoyances associated with corporate cubicle culture.

  "I think that idiot bosses are timeless, and as long as there are annoying people in the world, I won't run out of material."—Scott Adams

  Dilbert and the gang are back for this 26th collection, Thriving on Vague Objectives.

  Adams has his finger on the pulse of cubicle dwellers across the globe. No one delivers more laughs or captures the reality of the 9 to 5 worker better than Dilbert, Dogbert, Catbert, and a cast of stupefying office stereotypes—which is why there are millions of fans of the Dilbert comic strip.

  Dilbert is a techno-man stuck in a dead-end job (sound familiar?). Power-mad Dogbert strives to take over the world and enslave the humans. The most intelligent person in Dilbert's world is his trash collector, who knows everything about everything.

  Artist and creator Scott Adams started Dilbert as a doodle when he worked as a bank teller. He continued doodling when he was upgraded to a cubicle for a major telecommunications company. His boss (no telling if he was pointy-haired or not) suggested the name Dilbert. Adams is so dead-on accurate in his depictions of office life that he has been accused of spying on Corporate America.

Dilbert by Scott Adams is the most photocopied, pinned-up, downloaded, faxed and e-mailed comic strip in the world. Dubbed "the cartoon hero of the workplace" by The San Francisco Examiner, Dilbert has been syndicated since 1989 and now appears in 2,000 newspapers in 65 countries and 25 languages.

 For the more than 50 million readers who regularly enjoy Dilbert in over 2,000 newspapers worldwide, Scott Adams's take on the working world is outrageously fresh, farcical, and far-reaching. In this collection, Dilbert and his egg-shaped, bespectacled canine, Dogbert, again give readers an insider's look at the funny business of the work-a-day world.

In Random Acts of Management, cartoonist Scott Adams offers sardonic glimpses once again into the lunatic office life of Dilbert, Dogbert, Wally, and others, as they work in an all-too-believably ludicrous setting filled with incompetent management, incomprehensible project acronyms, and minuscule raises. Everyone, it seems, identifies with Dilbert, who struggles to navigate the constant tribulations of absurd company policies and idiot management strategies.

Dilbert for 09/01/2015. The standard 4-frame comic strip is enlarged to approximately 4 x 12 inches.  Sizes vary in accordance with the size of the comic itself, but all are printed, centered, on acid-free, archival 11 x 17-inch paper.

Dilbert for 09/11/2015. The standard 4-frame comic strip is enlarged to approximately 4 x 12 inches.  Sizes vary in accordance with the size of the comic itself, but all are printed, centered, on acid-free, archival 11 x 17-inch paper.

Dilbert for 07/12/2015. The standard 4-frame comic strip is enlarged to approximately 4 x 12 inches.  Sizes vary in accordance with the size of the comic itself, but all are printed, centered, on acid-free, archival 11 x 17-inch paper.